635975461622081858-1023457797_booksThe List of Books That Saved My Life | Read It Forward

So anyway, I moved to Las Vegas to go to school, which, I know, sounds ridiculous, but it’s true: I was to attend UNLV and live in a house my friend Greg’s father owned. Despite the promise of Twice the Jobs! ™, I couldn’t find any work. In Ohio, I’d had a job since high school, so suddenly, when living in a new city where I knew like three people and had no job, free time opened up before me like a vast desert after a long tunnel ride. A non-drinker and socially anxious to boot, I wound up reading a lot of books in those first months. I read The Great GatsbyAnna KareninaDublinersCandideNine StoriesFranny and Zooey, and A Confederacy of Dunces. I got super into theater, reading David Mamet, Samuel Beckett, Neil Labute, and Tom Stoppard. Contemporary literature, too: Dave Eggers, Chuck Klosterman, Saul Williams, Zadie Smith, David Sedaris, Tom Perrotta, Don Delillo, Nicholson Baker, and Nick Horby. I was too dumb and selfish and short-sighted to realize how white and male virtually all these authors were, but though I had been a reader since I could remember, I had never gobbled up books so voluminously. So impressed was I with my homogeneously hetero-normative erudition, in fact, I wanted to count them, to know exactlyhow many I’d read. So I made a list.

I felt small in Vegas, not merely in the sense of being one among so many, but also unequipped to strive for a life I wanted, because Vegas, being no-place, gave my existence there a purgatorial hum, and, being all-places, it never let me forget just how much was out there waiting to overtake me. When I finished itemizing the books I’d read and the total for the year came to 47 books, it was an act against that sense of smallness: I was preparing, to the extent that I could, for life, and I was learning, progressing, developing, and I needed something to reinforce my efforts, some suggestion of accomplishment to nudge me onwards. Continue reading…


14 Complex, Ambitious, and Experimental Novels by Women | Read It Forward

The authors of the following tomes seem less driven by the feat of epicness and more by its potential for infinite complexity. These women—some young and precocious, some experienced and wise—pursue their stories and ideas with all the same brilliance and playfulness and buoyancy and seriousness of the Joyce’s, the Pynchon’s, and the Wallace’s of the world. The only difference is these women rarely seem to shout about their accomplishments, and the world doesn’t present them as competitors in the big, ambitious novel game. But literature is not a game—or at least it isn’t one in the sense these men believe it to be. The art alone, independent of its relation to the gifts of its maker, is what is entered into the fray, and its value (the art’s) is where any sort of competition might play out—that is, through the experience of readers. A novel written with extra-textual goals (e.g., status, respect, fame) seems like a real waste of effort and time.