This is my favorite epigraph attribution from all my published essays:
“Time exists in order that everything doesn’t happen all at once, and space exists so that it doesn’t all happen to you.”
—Susan Sontag, quoting “an old riff I’ve always imagined to have been invented by some graduate student of philosophy,” but part of which (i.e., the first half) is often attributed to John Archibald Wheeler (who “admitted to having found it scrawled in a Texas men’s room”), Woody Allen, and Albert Einstein, but which actually appeared before all of these figures were supposed to have said or written it in a novel by Ray Cummings from 1922 called The Girl in the Golden Atom and is spoken by a character named Big Business Man, so I guess one can only really credit Sontag (or, I suppose, the “old riff” to which she refers) with the part about space (which, admittedly, is a totally brilliant and enriching addendum; really makes the phrase, don’t you think?), and if you think this quote attribution is convoluted and confusing well then hold onto your hats, there, buddy, because shit’s about to get real weird…Continue reading…
It’s like that thing in When Harry Met Sally… where Harry says that he always reads the last page of a book before he starts it to make sure it’ll be worthwhile, and then later in the movie we actually see him do this, but as he does he gets a phone call from Sally, who asks him what he’s up to, to which he responds, “Just finishing a book.” The joke, obviously, is that he no more finished it than someone who only knows that Darth Vader is Luke Skywalker’s father has seen The Empire Strikes Back. Harry has learned the facts of the ending, but none of the context that might grant them meaning and emotional power. But if we’re to ponder for a moment the phrase spoiler alert, it seems as if being made aware of how a story concludes is in some way akin to having actually experienced said story. Unlike Harry, when such information doesn’t promote a narrative’s worth; instead, it destroys it. Continue reading…
People with a literary sensibility often claim—more as an exclamation of their personality than a literal assertion of truth—that “the book is always better than the movie.” While I, of course, understand the general notion that novels and stories and biographies have, practically speaking, more time and space and nuance at their fingertips, whereas the logistics of film impose all kinds of obstructions and limitations on the form’s narrative choices–thus making it easy to stake primacy on the endless possibilities of literature over the necessarily collaborative, corporately funded and obstacle-ridden visual art of cinema. This is problem with the book-movie dichotomy: the mediums are so fundamentally dissimilar and share such a tenuous resemblance you might as well say you like riddles more than math equations.
The Time I Got Really Stoned and Interviewed Jesse Eisenberg | Literary Hub
The idea of me interviewing Jesse Eisenberg for this website had been floating around for a while. At first I was going to do it, then I wasn’t, then I was again. I was supposed to talk to him Friday night, then Saturday, and when I contacted Jesse’s people on Sunday morning, they said they’d find out what was going on. So when I heard nothing more, I figured it wasn’t going to happen. So I got really stoned. And now I have to interview my first genuine (i.e. non-literary) celebrity while high out of my goddamn mind.