NORTON_BookShot_FOREIGN+BODIES+YK2Object Impermanence: On Kimiko Hahn’s Foreign Bodies | Vol. 1 Brooklyn

A caveat: Foreign Bodies is Kimiko Hahn’s tenth collection of poetry, but it’s the first and only one that I’ve read. By my own standards as a critic, this lack of familiarity with a writer’s work usually disqualifies me as a reviewer of one of their books. The only exception I make for this is when I read a book that is so fantastic and exhilarating and rich that I’m compelled to write less of a review and more of a celebration, a fan’s note, a paean to a particular book’s achievements. This is one of those cases. Continue reading…

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Screen Shot 2018-03-12 at 5.56.49 PMInterview with Tobias Carroll at Vol. 1 Brooklyn

From the piece, by Tobias Carroll: “It’s been a decade since Natasha Wimmer’s translation of Roberto Bolaño’s 2666 was first published in the United States. Given this amount of time, several writers have begun exploring the impact and influence of Bolaño’s bibliography, with a particular focus on this mammoth work. That’s the case with Jonathan Russell Clark’s An Oasis of Horror in a Desert of Boredom, which does an excellent job of explaining why Bolaño’s work continues to resonate today, even as it also critiques aspects of it that haven’t aged as well. I asked Clark about the origins of the book, the process of writing it, and what unlikely literary facts can emerge when exploring Bolaño’s body of work.” Continue reading…