Older, Grayer, Sober: Aging Alongside the Jackass Dudes | Literary Hub

When I was 26, I took part in a weekend-long skate contest with a team of about ten other skaters. The contest was a New England version of Thrasher Magazine’s iconic “King of the Road,” in which groups of skaters are sent around the country with a list of tricks and tasks to accomplish scavenger-hunt-style while they travel around. The one I participated in was called “Search and Destroy” (a nod to Thrasher’s slogan “Skate and Destroy”), and it was the wildest weekend of my life.

To begin with, we drank while we drove. Not drinking and then getting in a car, but getting in a car and then opening a beer. The skateboard brand Anti-Hero used to sell these covers that wrap around beer cans to make them look like Cokes or Mountain Dews. We brought 11 cases of Budweiser, a couple handles of Jim Beam, some champagne, and so much weed that our trip technically constituted trafficking. There’s a photo of me in one of the vans (our crew was big enough to require two vehicles) taken from the other van. I’ve got a big shit-eating grin on my face (I was probably tipsy), and I’m holding the sliding door open, while we were driving on the highway. You can see our Budweiser-can-shaped cooler and my friend Mike holding a beer with one of the Anti-Hero covers on it. Continue reading…

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How Reading John McPhee’s Book on Tennis Helped Me Write About Skateboarding | Literary Hub

To assist my operation, I sought out books about sports with which I wasn’t as intimately familiar as skateboarding. I read some of Roger Angell’s work on baseball, and Joyce Carol Oates’s On Boxing, but I found the most useful instruction in John McPhee’s 1969 book Levels of the Game, a play-by-play report on a single tennis match between Arthur Ashe and Clark Graebner that doubles as a dual profile of both athletes. What made McPhee’s book the perfect learning text is 1) I don’t know a lot about tennis, and 2) a narrative of a game means that McPhee would have to describe, at length, the mechanics of the players’ movements. Could McPhee communicate the complexities of tennis to a non-expert? Could he do what I hoped to do? Continue reading…

20130802_sha_o44_001-7d3a7917-d9ce-4ed1-b218-9627194c9a36Dylan Rieder: 5 Videos That Defined the Skateboard Phenom’s Career | Rolling Stone

Dylan Rieder, who died after a battle with leukemia at the age of 28, had style practically brimming out of his Huf shoes: He rode smoothly, popped super high and seemed magically at ease on his board. He was a joy to watch, the way anyone meant to be riding a skateboard is joyous. From the time he burst onto the scene in Transworld’s A Time to Shine in 2006 when he was 18 to his most recent full part, “Cherry,” Rieder was a unique and dedicated skater who fucking loved skateboarding. Continue reading. (Photo credit: Hans Gutknecht)

Rolling-Stone-LOGO-2-1940x970Skateboarding in the 2020 Olympics | Rolling Stone

So thrilled to have written my first piece for Rolling Stone!! HOLY SHIT!

FROM THE ARTICLE: “Well, it’s finally official: skateboarding is a sport.

Though skaters have long resisted such categorization – even during the 90s when the energy drink-fueled qualifier “extreme” was clumsily appended to lump skating, snowboarding, BMXing and even Rollerblading into one big commercial for the then-newly formed X Games – it was inevitable. Skateboarding just got too big to stay gnarly, and earlier this month came the final bolt: the International Olympic Committee voted to include skateboarding as an Olympic event beginning in 2020 in Tokyo.” Continue reading.

skaterSkateboarding in Fiction | Literary Hub

The other thing I love in life, besides literature, is skateboarding. I’ve skated since I was nine and I still keep up with all the new shit—video parts, contests, the hubbub around Thrasher’s Skater of the Year (SOTY), and all the crazy super-tech Instagram rippers (who are mostly like 14 years old). I’m a total skate nerd. And it was this deep, life-long passion—the kind I can enjoy with uncomplicated enthusiasm and child-like zest—that indirectly challenged my assumptions about literature, about accuracy, authenticity, and the dizzying dynamics of art.

The story begins, as so few things do, in the desert. More…